Quarter Note Pulse
Start with one hi-hat note per beat, kick on 1 and 3, and snare on 2 and 4.
Focus: Keep an even pulse while placing kick and snare
Explore 75 patterns from first backbeats to rock, disco, reggae, shuffle, jazz, funk, metal, Afrobeat, and odd-meter grooves. Add groove-to-fill transitions or build and save your own eighth- and sixteenth-note patterns.
Read each step: K kick · S snare · H hi-hat guide · T tom · C crash · + simultaneous hits · A accent. In the custom builder, cycle each cell through rest, hit, and accent.
Start with one hi-hat note per beat, kick on 1 and 3, and snare on 2 and 4.
Focus: Keep an even pulse while placing kick and snare
Your first complete beat: hats on eighths, kick on 1 and 3, snare on 2 and 4.
Focus: Steady eighth notes and a strong backbeat
A steady pop foundation with a consistent kick, snare, and closed hi-hat pattern.
Focus: Keep the eighth-note hat even and the backbeat clear
A stripped-down rock groove that leaves room to focus on the backbeat.
Focus: Hear a strong snare on beats 2 and 4
Kick every beat, snare on 2 and 4, and even eighth-note hi-hat.
Focus: Keep four steady kick notes under the backbeat
The pulse stays steady while the snare lands once per bar on beat 3.
Focus: Leave space and place the snare on beat 3
A fast, straight eighth-note groove with a firm kick and backbeat.
Focus: Keep the eighth notes even at a brisk tempo
Four-on-the-floor kick with a lifted offbeat hat accent and steady backbeat.
Focus: Lift the offbeat hi-hat without rushing the kick
A warm eighth-note pocket with a small kick pickup into beat 3.
Focus: Make the kick and backbeat feel relaxed and consistent
Kick and snare meet on beat 3 while the hi-hat carries the pulse.
Focus: Leave beat 1 open and land the band hit on beat 3
A steady kick on every beat with a light backbeat on 2 and 4.
Focus: Keep an even quarter-note kick beneath the hat
A brisk upbeat pattern with snare on the '&' counts and kick on the quarter pulse.
Focus: Place the snare on the offbeat eighth notes
A driving train-like pattern with an alternating low and backbeat voice.
Focus: Alternate kick and snare evenly under the hats
A swung triplet-grid shuffle with kick on 1 and 3 and snare on 2 and 4.
Focus: Keep the long-short triplet feel relaxed
A basic swung ride pattern with a light hi-hat on beats 2 and 4. Use the hi-hat voice as your ride cymbal guide.
Focus: Ride the triplet pulse and keep the feathered kick quiet
An original bossa-inspired coordination study with a syncopated kick and steady eighth-note guide.
Focus: Keep the cross-stick backbeat while the kick syncopates
A brisk, original samba-inspired kit exercise with repeated bass drum notes.
Focus: Coordinate the repeating kick figure against the backbeat
Anchor the snare while the kick moves between the pulse; keep sixteenth-note subdivisions clear.
Focus: Place offbeat kicks without disturbing the backbeat
A syncopated study in displaced kick and snare accents over a steady subdivision.
Focus: Count the sixteenths while the accents shift around the bar
A musical five-beat groove with a clear grouping.
Focus: Feel five as 3 + 2
A short odd-meter phrase with a clear kick grouping and a snare anchor near the end.
Focus: Group the seven eighth notes as 2 + 2 + 3
An open five-beat groove with a half-time backbeat and a steady eighth-note guide.
Focus: Hold the five-beat phrase while leaving space around the snare
A relaxed eighth-note hat line with only one kick and a clear two-and-four snare.
Focus: Keep the backbeat steady while leaving the kick space
Quarter-note kicks support the familiar snare on beats two and four.
Focus: Keep the kick even under a steady backbeat
A slow, open rock beat that helps build even hands and dependable snare placement.
Focus: Stay relaxed through a slow eighth-note pattern
Add one extra kick on the final offbeat while the hi-hat and backbeat stay steady.
Focus: Place a simple pickup without rushing the next bar
A simple alternating tom and snare exercise with an eighth-note guide.
Focus: Move between tom and snare while keeping the pulse
A simple waltz pulse with kick on one, snare on two, and a light final beat.
Focus: Feel the first beat of each three-beat bar
A basic compound-meter exercise with kick on the first pulse and snare on the fourth.
Focus: Count six even eighth notes in two groups of three
A sparse pattern with one note per beat across the hi-hat, kick, and snare.
Focus: Keep quarter notes even and put the snare on two and four
Play eight steady hi-hat notes and make the main beats stand out from the offbeats.
Focus: Alternate strong downbeats with quieter offbeats
Start the bar with a crash and kick together, then settle into a simple backbeat.
Focus: Coordinate a crash with the first kick
Four quarter-note kicks create a stable base under the two-and-four backbeat.
Focus: Keep the bass drum even on every beat
A familiar backbeat with a kick pickup that pulls the phrase into the next bar.
Focus: Place the kick pickup on the final eighth note
Shift one bass drum note to the '&' after beat two while the snare anchors two and four.
Focus: Keep an offbeat kick from pulling the snare forward
The hats and backbeat keep moving while the kick leaves room between its two notes.
Focus: Hold time through a bar with fewer kick notes
A lightly syncopated kick and snare pattern over a full sixteenth-note hat guide.
Focus: Count sixteenth notes while keeping the snare settled
Keep the main backbeat strong and place softer snare notes around it.
Focus: Separate quiet snare taps from backbeat accents
Four-on-the-floor kick under a continuous sixteenth-note hat pattern and steady snare.
Focus: Keep the kick on each beat while the hand subdivides
A swung triplet hat line with kick on one and three and snare on two and four.
Focus: Keep the skipped triplet note light
A triplet shuffle with an extra kick note leading into the second half of the measure.
Focus: Maintain the shuffle while the kick walks through the bar
A ride-like triplet guide with sparse snare comping and a light hi-hat on two and four.
Focus: Keep the ride flowing while placing snare comp notes
A brisk two-and-four kick with snare notes on the eighth-note upbeats.
Focus: Keep the upbeat snares light and even
A steady roots-style kit exercise with four kicks and a light snare on two and four.
Focus: Keep the kick on each beat with a relaxed backbeat
A repeating syncopated kick line and sparse snare pattern make a coordination study.
Focus: Coordinate a repeating kick figure under even hats
A steady soul groove with selected offbeat hi-hat accents and a moving kick pickup.
Focus: Lift selected hat notes without changing the backbeat
A rock pattern in three with a kick on one and a snare on three.
Focus: Place the backbeat on beat three of a waltz bar
A compound-time shuffle with a bass drum on the first pulse and snare on the fourth.
Focus: Group the six pulses into two groups of three
A four-kick dance pattern with a lifted offbeat hat accent and a stable snare.
Focus: Keep every kick solid as the hat accents move
A straight rock backbeat beneath a full sixteenth-note hi-hat guide.
Focus: Keep the sixteenth-note hand motion even
An original coordination study with a repeating accented hand pattern and syncopated kick.
Focus: Keep the repeating bell-like hand pattern even
A linear sixteenth-note phrase that moves between voices while maintaining the pulse.
Focus: Keep kick, snare, and hat strokes from colliding
A demanding sixteenth-note kick ostinato with a steady snare and eighth-note hand guide.
Focus: Keep fast bass drum notes even beneath the backbeat
A brisk sixteenth-note guide with a spacious snare on beat three and syncopated kick.
Focus: Feel the half-time snare against a quick subdivision
A busy sixteenth-note coordination pattern with syncopated kick and snare accents.
Focus: Fit displaced snare accents around the anchor beats
An original parade-style coordination exercise with displaced snare and kick accents.
Focus: Maintain a buoyant pulse through syncopated accents
A two-bar-inspired, original kit coordination pattern with shifting accents and open space.
Focus: Keep a two-bar accent phrase steady across the bar line
A strong compound rock pulse with bass drum on one and four and snare on four.
Focus: Drive two groups of three without flattening the meter
A spacious triplet-grid groove with a rolling ride guide and backbeat on beats two and four.
Focus: Hold four triplet groups with a deep backbeat
An odd-meter exercise with nine eighth-note steps grouped as two, two, two, and three.
Focus: Hear the final group of three before the bar turns
A seven-eighth phrase grouped as three, two, and two with clear kick and snare anchors.
Focus: Keep the three-note opening group distinct
A five-beat rock phrase grouped as two plus three with a stable eighth-note guide.
Focus: Feel the two-beat pickup into the longer group
A more displaced kick pattern over a five-beat grouping, with snare notes marking the turns.
Focus: Keep syncopated kicks inside the five-beat phrase
A triplet-grid ride pattern with light kick support and sparse snare comping.
Focus: Keep the triplet ride flowing across three beats
A compound triplet exercise with a steady guide, moving kick, and backbeat anchors.
Focus: Keep a flowing triplet hand while displacing the kick
A broken hat orchestration with gaps while syncopated kit voices fill the rhythmic space.
Focus: Keep a consistent internal sixteenth-note count
A repeating accent cycle crosses the bar line over a stable four-beat foundation.
Focus: Hold the backbeat while accents shift every three steps
A one-bar fill study that moves from snare to toms and lands on a crash.
Focus: Move a steady sixteenth-note fill around the kit
A descending fill that travels from high tom back to snare with a clear final accent.
Focus: Play even singles while moving down the toms
A challenging linear fill where each sixteenth-note step moves to a different kit voice.
Focus: Play the fill without overlapping drum voices
Play a straight rock beat for one bar, then move through a simple snare and tom fill. The phrase loops back to the downbeat.
Focus: Keep the first bar steady and make the second-bar fill resolve
A steady pop bar followed by a short tom fill and a crash to lead into the next loop.
Focus: Keep the pop backbeat clear before a compact fill
A syncopated sixteenth-note funk bar moves into a linear fill that resolves with a crash.
Focus: Preserve the syncopated pocket through the fill
A blues shuffle bar followed by a triplet-based snare and tom fill with a clear resolution.
Focus: Keep the swung subdivision consistent into the fill
A spacious half-time first bar contrasts with a sixteenth-note fill in the second bar.
Focus: Hold the slow backbeat while counting the faster fill